The Kevin St. Medley: 5. The Choir School

Founded in 1432, St. Patrick’s Cathedral Choir School is the oldest existing school in Ireland. While the Cathedral’s grammar school is likely to be older, it is in its recent form dated to a mere 1547. The choir school was founded when Richard Talbot was Archbishop of Dublin (1418-1449), owing to the need for a steady supply of young choristers for the cathedral. Six minor canons and six choristers were part of the new “college” and the six boys would have been charged with singing the plainsong of the daily Lady mass. Minor canons received 10 marks and choristers 4 marks per annum for their efforts.

St Patrick’s Close on the OSi 25″ map – “Sch.” marks the location of the School (under the C of Cathedral)

The original location of the school was probably to the west of the present Deanery. In 1546, it was described as having a hall, kitchen, and sixteen bed-chambers. During the Reformation, Edward VI closed the choral school and converted it to a grammar school. However by 1615, the choir school was restored. While writing about all of this in 1820, William Monck Mason says that the ruins of the ancient school were still visible at that time. Glory be to Monck Mason, who provides us with a contemporary map showing the arrangement in the early nineteenth century. The Vicar’s Choral Ground is visible bordering Kevin St.

Plan of the Cathedral from The History and Antiquities of the Collegiate and Cathedral Church of St Patrick. William Monck Mason, Dublin 1819 (From Dublin City Library Collection – click to go to source)

West Front of St. Patrick’s Cathedral, James Malton, 1793 (NLI – Click image to go to source)

The choir school likely had a close connection with Christ Church Cathedral as well at various points in its history. It is noted that following the Restoration of the Monarchy in 1660 (the interregnum being the second of two times the school closed in its history) Richard Hosier held the position of “master of the song and tutor of the boys” at both institutions. Hosier’s successor Nicholas Sanderson got into trouble for his teaching methods. He was admonished for teaching the boys to “sing not by art but by rote” (Boydell).

Arrangements for those attending the “song school” were quite formal. Choristers were apprenticed to a master of song, who trained them and housed them with his family. In return he received allowance for laundry and haircuts! In more recent centuries, choristers also attended the Grammar School. The report on endowed schools in 1856—not one to hold back criticism— stated that “this is a good school”.

39 Kevin St., formerly the Cathedral Choir School (Photo: B)

After the disestablishment of the Church of Ireland in 1869, the cathedral was no longer required to support the school. Support up to this point involved master’s salary, accommodation, etc. In the nineteenth century, it was more common to use schoolmasters who ran schools in the locality, as the accommodation had deteriorated so much that it would have been difficult to attract a resident master; the salary not being the most generous. While there was no onus to support a school, there was a need for choristers, and the Dean (Dean West)  built a new Choir School at 39 Kevin St in 1870. We can see from Monck Mason’s map above that this building was built on a plot marked as “Dean’s Ground”. Originally an alley ran along the west; noted as Mitre Alley on Monck Mason’s map (and indeed as Myter Alley on Rocque’s 1756 map), but later named Chapter Close by OSi. An alley of sorts still exists—it is now part of the school yard with the gateway to the left of the house shown terminating the south end.

For reasons unknown, the building remained as a school for just a decade, when it became a master’s private house. The Choir School moved into the Deanery school on St Patrick’s Close, likely that one marked on the map above. There was some additional accommodation for choir practice in a room on Patrick’s St. An assessment of the school in 1909 remarked:

“The singing of this choir is admirable in every respect, and is marked by refinement and finish”.

School Doorway (Photo: B)

Unfortunately the report for the standards in other subjects were not as ebullient. The school buildings were in a poor state and decayed over the course of the twentieth century. The choir school became part of the National School system in 1974, and in 1981, a new building with musical facilities were completed. Later the Grammar School also acquired new buildings, opened by Charles Haughey in 1988. These brick buildings bookend a handsome, much older, building, with a fairy-tale blue door. Behind it, is nearly six centuries of history.

More posts on Kevin St are listed in the Table of Contents. You can receive email updates when a new post is published by subscribing below.

Notes:

• Barra Boydell (2004) A History of Music at Christ Church Cathedral, Dublin, Boydell Press.
• Rex Cathcart (1994) In the Shadow of St. Patrick’s, Dublin Historical Record, 47(1), 71-76.

The Main Street of Dublin

The street from Castle St to Thomas St first swirls one way as it wraps around Christchurch and along High St, and then swirls the other, as curves around Cornmarket and joins Thomas St at the junction of Francis St.

Ordnance Survey of Ireland Map showing area that was once Main Street, Dublin

In the medieval city (1200-1500), this street was known as the Main Street of Dublin. The eastern end at Christchurch was called Skinner’s Row. Of course Lord Edward St is a recent addition, so what now is a rather awkward arrangement makes more sense in that context; Skinner’s Row continued on from Castle St, and led along the side of Christchurch; the alignment of the Lord Edward public house giving a hint as to the original flow. The “Row” of Skinner’s Row indicates that there was only buildings lining one side—indeed as it is today, with the medieval buildings replaced by Jury’s Inn. While the Dublin historian Sir John Gilbert has proposed that the Row was “a narrow and sombre alley” at just seventeen feet wide, this has been disputed. Hughes has suggested with some confidence that Gilbert has his time periods mixed up, and considers it improbable that the one area of the walled city that was to handle sizeable gatherings of citizens would not have been larger. As well as the Cathedral of the Holy Trinity (Christchurch), there was a Pillory at the eastern end of Skinner’s Row at its junction with Castle St., and High Market Cross at the western end at the junction with High St. Here, it was customary to read out royal proclamations and other public announcements (Hughes, 1941).

The Pillory was a place for public punishment. Even seemingly trivial events could lead to punishment. Bakers who were caught for a third time with a load lighter than stated were subjected to a stint in the pillory, a punishment which along with severe discomfort, carried with it “a degree of odium and degradation”. The punishment was restricted to the crime of perjury during the reign of George III, and finally abolished in 1837 (Frazer, 1886).

Extract of Speed’s Map of Dublin (1610)

All of this detail is visible on Speed’s Map of Dublin (1610). Main St runs from the east at Castle St (38 on map) through Skinner’s Row (42), High St (48) to the city wall at the junction of Thomas St at Newgate (50). The High Market Cross is visible to the right of No. 47 (St. Nicholas’ Church), and the little symbol next to No. 42 probably marks the location of the Pillory (Andrews, 1983).

Fishamble St (24 on Speed’s Map) is on the eastern end of the Main St. The steep slope of this street, best appreciated by walking or cycling up it, linked the walled city to its port below at the river. In medieval times, it was uninhabited and it served as a location for  fish markets which were brought to shore at the river below. The western end of Main Street was marked by Newgate, which merits its own article.

Before we leave the medieval era, it’s worth noting that rentals of the time giving names and occupations of the tenants demonstrate the city had a high proportion of well-to-do people within it walls. Hughes argues that while there were of course poor people, a reputation of a filthy and neglected city with pigs running through the streets is unfair.

Detail from The Tholsel, Dublin (James Malton)

In another age, the area is beautifully captured in some of Malton’s Views of Dublin (ca. 1791). These are discussed in some detail in Edward McParland’s gorgeous essay on their use as a historical source (McParland, 1994). Especially relevant are two of the Views: St Catherine’s Church and The Tholsel. In the latter, the street sign for Skinner’s Row is clear, as is the shopfront of Robert Thomas, Tallow Chandler. McParland has done the detective work to show that Thomas was indeed a tallow chandler at 1 Skinner Row in both 1791 and 1792, but not 1793. Sadly it appears that this accuracy does not extend to all of Malton’s prints; Patrick O’Murphy’s name on a bar has nothing to correlate with in business records. Nevertheless, the prints give us a beautiful representation of how these streets, which derived from the original Main Street of Dublin, looked in the city’s golden age.

Extract of St. Catherine’s Church (James Malton)

Notes

• J. H. Andrews (1983) The Oldest Map of Dublin, Proceedings of the Royal Irish Academy. Section C: Archaeology, Celtic Studies, History, Linguistics, Literature
  83C, 205-237
• William Frazer (1879) On the Dublin Stocks and Pillory, Proceedings of the Royal Irish Academy. Polite Literature and Antiquities, 2, 456-460.
• James L Hughes (1941) Main Street, Dublin, Dublin Historical Record, 3(3), 67-77.
• Edward McParland (1994) Malton’s Views of Dublin: Too Good to be True?, in Ireland: Art into History, Raymond Gillespie and Brian P Kennedy (eds), 15-25.